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Alison PuruntatameriWinga (Tidal Movement / Waves), 2025ochre on linen120 x 180 cm -
Lorna KantillaMud Mussels, 2021Natural Ochres on paper38 x 58 cm -
Virginia GalarlaPupuni Jilamara, 2022ochre on canvas80 x 120 cm -
Virginia GalarlaKulama Ceremony, 2022ochre on bark144 x 55 cm -
Alison PuruntatameriWinga (Tidal Movement / Waves), 2025ochre on linen120 x 80 cm -
Alison PuruntatameriWinga (Tidal Movement / Waves), 2025ochre on linen120 x 80 cm -
Alison PuruntatameriWinga (Tidal Movement / Waves), 2025ochre on linen210 x 40 cm -
Alison PuruntatameriWinga (Tidal Movement / Waves), 2025ochre on linen120 x 80 cm -
Alison PuruntatameriWinga (Tidal Movement / Waves), 2024ochre on linen180 x 120 cm -
Alison PuruntatameriWinga (Tidal Movement / Waves), 2024ochre on linen180 x 120 cm -
Susan Wanji WanjiPupuni Jilamara, 2022ochre on linen120 x 180 cm -
Susan Wanji WanjiPulati, 2021ochre on linen100 x 160 cm -
Alfonso PuautjimiYirrara tutini (Two poles), 2026Natural Ochres on paper57 x 38 cm -
Conrad TipungwutiJilamara, Milikapiti Melville Island, 2003ochre on canvas60 x 78 cm -
Jane M TipuamantumirriJilamara, 2019Natural ochre on paper38 x 57 cm
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Lucinda Tipungwuti (elma)Pwoja Jilamara, 2019ochre on canvas80 x 30 cm -
Andre TipungwutiNumwarriyaka, 2019ochre on canvas120 x 80 cm -
Virginia GalarlaParlini Jilamara, 2022ochre on canvas70 x 90 cm -
Miriam StassiPwonga, 2021ochre on canvas160 x 100 cm -
Nicholas MarioJilamaraochre on paper56 x 76 cm -
Maria Josette Orstoochre on linen76 x 50 cm -
Jessie Bujava (Kipora)Ancestors’ tattoo design of the chin (tree bark pattern), tattoo design of the navel (fruit of the Sihe tree) and teeth of the river fish, 2022natural pigments on nioge (barkcloth)118 x 79 cm