SPOTLIGHT ON OCHRES: Natural Pigments From The Stockroom
Ochre or natural pigment is a valuable resource that has been quarried and used by Aboriginal Australians for millennia.The word ochre comes from an old French word that has been adopted into the English language to refer to any pigment derived from the earth. Every language group has a different name for each colour mined from their land, for instance the Yawuru people of the Kimberley call yellow ochre gumbarri.
Ochre is used in a myriad of ways; for trade, to make art, to tell stories, to practice ceremony and as a medicine. Once the pigment is extracted from the earth it is then mixed with different liquids to form a fixative so it can be painted onto rock, weapons, ceremonial objects, or the body.
Natural pigment in contemporary art practice is still widely used particularly across northern Australia from the Kimberley through to Arnhem Land. This sacred natural medium is a tool to connect past, present and future through symbolism and visual communication. Artworks created using ochres are specific to the artist and the clan they come from, they show a clear and ongoing connection to the artists land and cultural heritage. Short St Gallery has worked for many years with exceptional art communities and artists whose use of natural pigment informs their contemporary art practice. Today's Spotlight focuses on a selection of diverse and exceptional artworks from our stockroom utilising this ancient and sacred resource.
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Joe GuymalaWolerrk (Female Wallaroo), 2019ochre on bark175 x 40 cm
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Ben WardBilbijim, 2021natural ochre and pigment on canvas60 x 60 cm
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Djurrayun MurrinyinaWukili, 2019natural pigment on bark51 x 28 cm
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Jane M TipuamantumirriPwoja Jilamara, 2017ochre on canvas100 x 100 cm
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William ManakguKinga (Saltwater Crocodile), 2021ochres and acrylic on arches paper154 x 102 cm
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Conrad TipungwutiJilamara, Milikapiti Melville Island, 2003ochre on canvas60 x 78 cm
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Miriam StassiPwonga, 2021ochre on canvas160 x 100 cm
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Joey NganjmirraKarurrken - Female Red Kangaroo of the Dreamtime (Ubarr ceremony), 2018ochre and acrylic on arches paper76 x 102 cm
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Maria Josette Orstoochre on linen76 x 50 cm
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Jan Griffiths GunjakaWoorilbem, 2019natural pigment on canvas60 x 60 cm
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Betty BundmurraWandjina Yams, 2021Natural Ochre And Pigment On Canvas45 x 45 cm
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Charlene CarringtonTexas Country, 2018pigment on canvas80 x 80 cm
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Mabel JuliGlingennayn, 2014pigment on canvas80 x 60 cm
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Shirley PurdieGija Skin Groups, 2019pigment on canvas60 x 100 cm
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Josephine Burakmurtapiranga (tiwi name for mangrove), 2019ochre on canvas150 x 80 cm
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Monica CannBlowfly Dreaming, 2021pigment on canvas60 x 80 cm
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Djirrirra WunungmurraYukuwa, 2020natural pigment on bark129 x 37 cm
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Mukguddu NabegeyoJimar Story, 2001ochres on arches paper76 x 102 cm
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Don Nakidilinj NamundjaKulabbarl (Billabong), 2021ochre and acrylic on arches paper57 x 77 cm
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Maath MaralngurraYawkyawk (Water Spirit), 2016ochre and acrylic on arches paper102 x 38 cm