SPOTLIGHT ON OCHRES: Ochres From The Bungalow
Ochre or natural pigment is a valuable resource that has been quarried and used by Aboriginal Australians for millennia; for trade, to make art, to tell stories, to practice ceremony and as a medicine. Once the pigment is extracted from the earth it is then mixed with different liquids to form a fixative so it can be painted onto rock, weapons, ceremonial objects, or the body. Natural pigment in contemporary art practice is still widely used particularly across northern Australia from the Kimberley through to Arnhem Land.
This sacred natural medium is a tool to connect past, present and future through symbolism and visual communication. Artworks created using ochres are specific to the artist and the clan they come from, they show a clear and ongoing connection to the artists land, and cultural heritage.
Short St Gallery has worked for many years with exceptional art communities and artists whose use of natural pigment informs their contemporary art practice. Today's Spotlight focuses on a selection of diverse and exceptional artworks from our stockroom, utilising this ancient and sacred resource. We invite you to view the artworks via the link below or the image above.
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Susan Wanji WanjiPupuni Jilamara, 2022ochre on linen120 x 180 cm
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Paulina PuruntatameriPwoja Jilamara, 2021ochre on canvas120 x 180 cm
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Christine PuruntatameriPwonga, 2022ochre on canvas80 x 150 cm
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William ManakguKinga (Saltwater Crocodile), 2021ochres and acrylic on arches paper154 x 102 cm
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Nerry Keme (Namuno)Obohutaigu’e, 2012natural pigments on nioge (barkcloth151 x 76.5 cm
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Dulcie KoréÖmie mountains, beaks of the Papuan Hornbill, eggs of the Dwarf Cassowary and spots of the wood-boring grub, 2022natural pigments on nioge (barkcloth)101.5 x 48 cm
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Clarrie DjangharaThe Beginning of the Wet Season, 2021natural pigments on canvas100 x 80 cm
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Clarrie DjangharaLalai and the Sugarbag, 2021Natural ochre and pigment on canvas80 x 100 cm
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Glen NamundjaKorlobarr Djang (Big Red Kangaroo Dreaming), 2021ochre on arches paper61 x 41 cm
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Djirrirra WunungmurraYukuwa, 2022natural pigment on bark91.5 x 44 cm
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Shaun NamarnyilkNamorrorddo and Kunmarl, 2019ochre on arches paper41 x 61 cm
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Susan MarawarrWak Wak, 2021natural pigment on bark131 x 48 cm
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Hilda MekioDesign of the eye, teeth of the river fish, spots of the wood- boring grub, Ömie mountains,Ujawé initiation design of the navel, and Papuan Hornbill beaks, 2022natural pigments on nioge (barkcloth)90.5 x 70.5 cm
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Virginia GalarlaParlini Jilamara, 2022ochre on canvas70 x 90 cm
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Virginia GalarlaKulama Ceremony, 2022ochre on bark144 x 55 cm
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Joe GuymalaDadbe Yimeng Walkarri Kunwardde (King brown snake hiding underneath a stone), 2021acrylic and earth pigments on paper61 x 41 cm